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Fastest Kid in School Relaunch!

http://fastestkidinschool.com/

Have you seen the Fastest Kid in School in school relaunch yet? We’ve returned with four new staff writers, Featured Artists (including an exclusive stream from the upcoming Deadron/Tundras split), our take on the ‪#‎emorevival‬ situation, and Chelsea Carlson's beautiful photography from The National show in Grand Rapids, MI last month!

Well, what are you waiting for? Check it out, spread the word, and let us know what you think! ‪#‎SummerOfFKIS‬

P.S. We’ve missed you.

ATTENTION FOLLOWERS: The Official Website is Up!

fastestkidinschool:

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ATTENTION FOLLOWERS:
So…we’ve got a new website: http://fastestkidinschool.com/
Behold, the official Fastest Kid in School website, where our staff writers will be bringing you the absolute best and latest in original content and unique features, reviews, interviews, streams…

ATTENTION FOLLOWERS: The Official Website is Up!

ATTENTION FOLLOWERS:
So…we’ve got a new website: http://fastestkidinschool.com/
Behold, the official Fastest Kid in School website, where our staff writers will be bringing you the absolute best and latest in original content and unique features, reviews, interviews, streams and news.
I am now proud to announce the Tumblr page will only be used as a social media outlet, secondary to our brand new website! Here, all of our pieces are categorized, and readers (you) will be able to register for the site and log in to comment on pieces around the site. While we are still working out the kinks as far as theme and formatting go, please check the site out and feel free to provide us with any comments, questions or feedback in order to help us improve FKIS.
I want to thank all of you for playing a part in helping make this site a reality; it makes me excited to think of how far we’ve come, and how far my staff and I have yet to go. That being said, please, share this site and help do your part to make FKIS into the thriving online community we’d like to see it become. If you think you’d make a good asset to the FKIS team, be sure you get ahold of us on this Facebook page or one of our staff members and we can help determine if you’d fit in well on the site (voluntary basis with benefits).
With love,
Aaron Mook

"Try Me"

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Self Defense Family - Try Me

1.7.14/Deathwish Records

Score Unavailable

by Aaron Mook

This is my first time listening to Try Me, and I feet the need to write about it despite it deserving a proper review. At 2:48 AM, from a tattered couch, I can’t fathom typing the words for each unique emotion that’s swept over me after an hour and 19 minutes. Thus, I simplfy:

Try Me is not for everyone. Try Me is everyone. Try Me is challenging and  abrasive. Try Me is heartwrenching. Try Me is disappointing, at first. Try Me is unforgettable. Try Me is the sad truth no one ever speaks, but you and your friends speak, because you loathe that everyone ignores it. Try Me is the very definition of what it is to be human. Try Me is the smell of your grandmother’s home that you hate as a child but miss as a young adult, and the memories that bring tears at the realization that you will never have them again. Try Me is the hope that perhaps you will have something better. Try Me is far from perfect, and it doesn’t try to be. Try Me is meant to be heard alone, late at night when your mind is running lose. Try Me is every little tiny minor detail of the story they never let you in on. You can and should eavesdrop on Try Me, and be brave enough not to forget the cynical sounds of nostalgia and smug, ‘just desserts’ attitude you’ve always wanted.

As I said before, this may end up being the official review; if it is, I apologize. A record like this deserves words tough to type, and perhaps that’s why these lyrics hit closer to home with each repetition. Like In Utero or Kid A before it, Try Me is the kind of lesson you’re glad and slightly ashamed of learning when it’s through. Hate it, love it, cherish it. Self Defense family never had a fuck to give, never had a reason to be profound, and yet, here they are: the most self-aware artist of the past decade.

That is all.

A Balance Between - Negative Space

A Balance Between-Negative Space

1.7.14/Broken English Records

8.5/10

by Aaron Mook

Musical dry spells seem to be somewhat common at the top of a new year. Perhaps this is actually due to a lack of album announcements and release dates, or (more likely) it’s the result of laziness and eggnog hangovers on our part, but luckily, A Balance Between has set out to shatter expectations and start 2014 on the a strong note. Throughout their debut EP Negative Space, the band vows to take post-hardcore back to its prime and channels classics such as Thrice’s Vheissu and Circa Survive’s Juturna while simultaneously cementing their own identity in the scene, and in the regard, Negative Space is a refreshing success.

From the crashing guitars that introduce opener “Your Own Hell”, we are given a sense of unbridled emotion we like to expect with debut releases. Paired with a fleshed out and fitting production, each instrument hits as hard as the others, topped with vocalist Jeremy Hernandez’s mid-range croon. This mix is hardly contained to tracks in the same vein, as even the slow-burner “Reaching Out” brims with equal bouts of musical force and calming optimism. While the lyrics may not always cross the line as something to write home about, they fit nicely within the context of the music and this itself is enough of a surprise to stand out amongst a community of peers the prefer to play it safe.

The band does a wonderful job of exhibiting a sense of variety and direction throughout the EP. Larger-than-life riffs dominate “Ocean”, just to lead into the sprawling six-minute title track. “Negative Space” attempts to slow things down, giving each instrument its time in the limelight before a haunting, stripped down interlude and jam session of an exit. If these songs are good, they merely provide support to Negative Space's standout centerpiece, “The Ruse”. “The Ruse” rivals several classic post-hardcore gems as a glimpse towards something better, a slice of progressive aggression we can hope might take part in whatever step comes next for A Balance Between.

 While A Balance Between may have yet to reinvent the genre (as letlive. very well may have last year), they certainly have done a hell of a job reinvigorating it. Negative Space spews the energy and creative highlights we’ve come to love from young bands, both building from their peers and doing what they do better than anyone in recent memory. At a time when we are generally recovering from the year previous and looking forward to later releases, A Balance Between have cannonballed into the community in a risk vs. reward scenario that will almost certainly pay off as we can now keep a welcome and watchful eye over this talented group of newcomers.

Key tracks: There’s only six tracks and none of them are bad, but “The Ruse” is extraordinary.

For fans of: Circa Survive, Thrice, Deftones

Jan 8

Deahaven’s “Sunbather” - Revisited (Sort Of)

Zac and I wrecked kind of debated what this piece should be labeled as, seeing as the record was released last year, but since it’s not a formal review- focusing more on WHY ‘Sunbather’ was the best reviewed record of 2013- I’ve decided to call it Revisited. Sort of.
Enjoy!

Deafhaven’s Sunbather - Revisited

by Zac Djamoos

Out of every single album released last year, Deafheaven’s Sunbather was the highest reviewed. Averaging the scores of every major publication that reviewed this record, it would be given a 92%. This is the first time aggregate website MetaCritic found a metal album to be the highest-reviewed album since the site began over a decade ago. In a glowing review, Pitchfork’s Brandon Stosuy called the album “a modern classic;” Gray Currin of Spin declared the album “practically filmic” in its “brutal and blissful” sonic twists and turns; AbsolutePunk’s Drew Beringer went a step further to say this record was not only “the best album many will hear all year,” but even “one of the three best albums I’ve heard in the past five years.” And reading this now, you probably had no idea what Sunbather even was.

In short, it’s a black metal album. But that’s a horribly simple description, and does no justice to the layers and layers of sound present on this album. It’s evident straight from the cover: there’s no spider-webby band logo, no black or navy hues, no Norse gods engaged in battle. Instead there is a sunburst of pink with the album’s title spelled out in large white letters. It’s an incredibly pretty cover for a metal album - which is appropriate, for Sunbather is an incredibly pretty metal album.

Part of the beauty of Sunbather is in its crossover appeal. There are no breakdowns to be found in the album, no pulverizing guitar solos, no lyrics about killing nor any other metal cliches. Rather than shred, Kerry McCoy’s guitar lines seem to shimmer.  His riffs are often coated in delay and reverb to give a dreamier effect. While Daniel Tracy’s drumwork features metallic blast beats aplenty, his percussion is not meant to crash and overwhelm, but to punctuate and emphasize. When he comes in with lightning-fast drumrolls thirty seconds into album opener “Dreamhouse,” he’s not delivering typical metal instrumentation, he’s advancing the story along. It’s accessible to people who like any kind of music. All that really makes Deafheaven a metal band is vocalist George Clarke, who possess a high pitched banshee wail that could aggravate some listeners and definitely take time to adjust to. However, they’re mixed back in the music, creating just another layer of sound - they’re treated like an instrument. Plus, the album is designed so that there are four main movements, and between those three spoken-word-but-otherwise-instrumental interludes.

On your first listen through Sunbather, you’ll enjoy it (given Clarke’s vocals don’t grate on you). But it takes more than that for the album to truly sink in. On your first listen, you won’t grasp that what Clarke is shrieking in the last verse of “Dreamhouse” is perhaps the most beautiful verse written by any vocalist of any genre last year: “I’m dying. ‘Is it blissful?’ It’s like a dream. ‘I want to dream.’”  You might not hear the sample underneath the feedback in the instrumental bridge of “The Pecan Tree.” You may not catch Clarke’s voice break at the end of that song. You likely won’t even notice when “Dreamhouse” ends and first interlude “Irresistible” begins. But it’s things like that that make the album even more enjoyable. In the album’s final minute, Clarke assures you that “I am no one,” but you can’t help but feel that isn’t true. Clarke is someone real and someone human, and so are McCoy and Tracy. They are genuine, passionate people who’ve created one of the most genuine, passionate albums of the year.

Jan 8

I Am the Avalanche Anounce ‘Wolverines’, Launch Preorder and Stream New Song

I Am the Avalanche have announced their third full-length, Wolverines, to be released March 18th via I Surrender records. You can preorder the record below as well as stream a brand new song, “The Shape I’m In” at Esquire. What do you think of the song?


Preorder: http://www.merchdirect.com/ISurrenderRecords

Stream: http://www.esquire.com/blogs/culture/we-are-the-avalanche-the-shape-im-in

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Jan 8

New You Blew It! LP Avalable Early for $5

You can now download You Blew It!’s new full-length, Keep Doing What You’re Doing (due Jan. 14), for just $5 via their Bandcamp. You can’t beat this deal (while still supporting the band), folks. What do you think of the record?

http://topshelfrecords.bandcamp.com/album/keep-doing-what-youre-doing

Jan 7

Human Animal - Dark Days

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Human Animal - Dark Days

10.16.12/Self-Released

8.4/10

by Aaron Mook

A few nights ago, I wrote a piece about the state of my local scene here in Erie, Pennsylvania. The piece attempted to explain the legacy we called Lake Effect Hardcore, the state of the scene now and what has changed in the past 15 years. This was a triumph to me, not only because it was being published in a local zine but also because it broke the typical review/interview/feature format I was used to writing (not that this is a bad thing). The rush that came with interviewing certain “key players” in the community provided me with a rush of nostalgia involving my brother and I’s youth, but also reminded me of a review I have been sitting on for close to a year. It’s a review that deserves to be rewritten.

Throughout the entirety of Human Animal’s debut EP, Dark Days, the band not only surpasses the expectations  set by members’ prior outfits but shatters Lake Effect’s dormancy entirely. In a scene that had admittedly taken a tumble over the past ten years, Human Animal manages to build from their roots and act as a breath of fresh air where many other generic hardcore acts have become stale. Look no further than the title track, which wastes no time opening the EP with a wailing guitar solo before picking up the pace and getting the blood pumping with every “woah-oh” or gang vocal that trademarks Dark Days. The guitar solo is no isolated incident either, most notably making a return during “Out Cold”. This is all building up to what is easily the EP’s strongest track, “Swine Flu”. Fast and furious, the standout is essentially relentless and acts as a ‘sum of all parts’, eventually leading into a massive breakdown led by vocalist EMS’s howl of “I’ve seen your kind before…”.

Perhaps most impressive about the release is its pristine production, which certainly stands out for a local act so young in their career. Mixing the instruments in a way where each have their own destructive moments (particularly the devastating drumwork on “Faded Pictures” and the crashing guitars of epic closer “Time Tells All”), Dark Days' production is just tight enough to match its execution. For those of you who may not have felt the wrath of the Lake Effect, you're probably wondering, “Why should I care, Aaron?” Let's put it like this- in five songs and 16 minutes, Human Animal has managed not only to reinvigorate a local scene but release one of my favorite (and only) traditional hardcore EP's of the past three years, incorporating distinct metal edge. And, it's offered on Bandcamp as a free download. I didn't write this review with any obligation; I wrote this review because Human Animal could easily crush much of the competition presented by their peers. Prepare to embrace the Effect.

BandCamp link: http://humananimal.bandcamp.com/album/dark-days

Key tracks: There’s only five, and they’re free via the above BandCamp link below. However, these music videos are dope:

"Swine Flu": http://www.youtube.com/watch?v=_Id5Vpb5imc

"Dark Days": http://www.youtube.com/watch?v=VBlIDbw8yi8

For fans of: Madball, Terror, xRepresentx

Jan 7

Hopeless Records stream new Neck Deep LP, “Wishful Thinking”

Hopeless Records is now streaming the new Neck Deep full-length, “Wishful Thinking”, via Youtube. What do you think?

http://www.youtube.com/playlist?list=PLKAm0swRNcktPCiCj0phNhbiVYy9zMa2v